“Is it certainly accursed?... or do you only mean it might be? That is an important point,” said Evgenie Pavlovitch.

“Yes--I nearly was,” whispered the prince, hanging his head.

“As much as usual, prince--why?”

“Don’t suppose, prince,” she began, bracing herself up for the effort, “don’t suppose that I have brought you here to ask questions. After last night, I assure you, I am not so exceedingly anxious to see you at all; I could have postponed the pleasure for a long while.” She paused.

“When you rang the bell this morning I thought it must be you. I went to the door on tip-toe and heard you talking to the servant opposite. I had told her before that if anyone came and rang--especially you, and I gave her your name--she was not to tell about me. Then I thought, what if he goes and stands opposite and looks up, or waits about to watch the house? So I came to this very window, looked out, and there you were staring straight at me. That’s how it came about.”

He felt in a very curious condition today, a condition similar to that which had preceded his fits in bygone years.

“I love you, Aglaya Ivanovna,--I love you very much. I love only you--and--please don’t jest about it, for I do love you very much.”

“I deny nothing, but you must confess that your article--”

Here Colia handed him a chair, and he subsided into it, breathless with rage.

“Is not that enough? The instinct of self-preservation is the normal law of humanity...”
“I don’t think they often kill each other at duels.”
“I’ve put her in the carriage,” he said; “it has been waiting round the corner there since ten o’clock. She expected that you would be with _them_ all the evening. I told her exactly what you wrote me. She won’t write to the girl any more, she promises; and tomorrow she will be off, as you wish. She desired to see you for the last time, although you refused, so we’ve been sitting and waiting on that bench till you should pass on your way home.”
When the prince pointed out that there was nothing new about that, for that they had always behaved in this manner together, Colia did not know what to say; in fact he could not explain what it was that specially worried him, just now, about his father.
“Quite so,” replied the general, “and what can I do for you?”
“Now how on earth am I to announce a man like that?” muttered the servant. “In the first place, you’ve no right in here at all; you ought to be in the waiting-room, because you’re a sort of visitor--a guest, in fact--and I shall catch it for this. Look here, do you intend to take up you abode with us?” he added, glancing once more at the prince’s bundle, which evidently gave him no peace.
“Are you going to be married here?”

“What is it?” demanded the lady.

“Yes, your father kindly recommended me to him.”

“I assure you, when I came in here just now and saw your kind faces (I can read faces well) my heart felt light for the first time since that moment of parting. I think I must be one of those who are born to be in luck, for one does not often meet with people whom one feels he can love from the first sight of their faces; and yet, no sooner do I step out of the railway carriage than I happen upon you!
So ended Aglaya; and, to look at her, it was difficult, indeed, to judge whether she was joking or in earnest.
“No, they cut off people’s heads in France.”
His cab took him to a small and bad hotel near the Litaynaya. Here he engaged a couple of rooms, dark and badly furnished. He washed and changed, and hurriedly left the hotel again, as though anxious to waste no time. Anyone who now saw him for the first time since he left Petersburg would judge that he had improved vastly so far as his exterior was concerned. His clothes certainly were very different; they were more fashionable, perhaps even too much so, and anyone inclined to mockery might have found something to smile at in his appearance. But what is there that people will not smile at?
“It’s better so, you know, Gania--especially as, from one point of view, the matter may be considered as settled,” said Ptitsin; and sitting down a little way from the table he began to study a paper covered with pencil writing.
Prince Muishkin entered the court-yard, and ascended the steps. A cook with her sleeves turned up to the elbows opened the door. The visitor asked if Mr. Lebedeff were at home.
The prince followed her. Arrived at the dining-room, she stopped.
Hippolyte paused and considered a moment. Then a smile of cunning--almost triumph--crossed his lips.
We may mention that Gania was no longer mentioned in the Epanchin household any more than the prince was; but that a certain circumstance in connection with the fatal evening at Nastasia’s house became known to the general, and, in fact, to all the family the very next day. This fact was that Gania had come home that night, but had refused to go to bed. He had awaited the prince’s return from Ekaterinhof with feverish impatience.
Although the impudence of this attack, this public proclamation of intimacy, as it were, was doubtless premeditated, and had its special object, yet Evgenie Pavlovitch at first seemed to intend to make no show of observing either his tormentor or her words. But Nastasia’s communication struck him with the force of a thunderclap. On hearing of his uncle’s death he suddenly grew as white as a sheet, and turned towards his informant.
“Well, it is a silly little story, in a few words,” began the delighted general. “A couple of years ago, soon after the new railway was opened, I had to go somewhere or other on business. Well, I took a first-class ticket, sat down, and began to smoke, or rather _continued_ to smoke, for I had lighted up before. I was alone in the carriage. Smoking is not allowed, but is not prohibited either; it is half allowed--so to speak, winked at. I had the window open.”
“Is that true?” she asked.
“Pure amiable curiosity,--I assure you--desire to do a service. That’s all. Now I’m entirely yours again, your slave; hang me if you like!”

“That is your father, is it not?” asked the prince.

It was late now, nearly half-past two, and the prince did not find General Epanchin at home. He left a card, and determined to look up Colia, who had a room at a small hotel near. Colia was not in, but he was informed that he might be back shortly, and had left word that if he were not in by half-past three it was to be understood that he had gone to Pavlofsk to General Epanchin’s, and would dine there. The prince decided to wait till half-past three, and ordered some dinner. At half-past three there was no sign of Colia. The prince waited until four o’clock, and then strolled off mechanically wherever his feet should carry him.
“Has my father asked you for money?” asked Gania, suddenly.
“Well, you have no right, you have no right, no right at all!... Your friends indeed!”... gabbled Burdovsky, defiantly examining the faces round him, and becoming more and more excited. “You have no right!...” As he ended thus abruptly, he leant forward, staring at the prince with his short-sighted, bloodshot eyes. The latter was so astonished, that he did not reply, but looked steadily at him in return.

“How?” cried Aglaya--and her lower lip trembled violently. “You were _afraid_ that I--you dared to think that I--good gracious! you suspected, perhaps, that I sent for you to come here in order to catch you in a trap, so that they should find us here together, and make you marry me--”

The prince rose again, as if he would leave.

“He is, indeed,” said Alexandra; “almost laughably so at times.”

“Look here, Lef Nicolaievitch, you go straight on to the house; I shall walk on the other side. See that we keep together.”
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”

“It seems to me that all this has nothing to do with your affairs,” remarked the prince.

The prince was much interested in the young man who had just entered. He easily concluded that this was Evgenie Pavlovitch Radomski, of whom he had already heard mention several times. He was puzzled, however, by the young man’s plain clothes, for he had always heard of Evgenie Pavlovitch as a military man. An ironical smile played on Evgenie’s lips all the while the recitation was proceeding, which showed that he, too, was probably in the secret of the ‘poor knight’ joke. But it had become quite a different matter with Aglaya. All the affectation of manner which she had displayed at the beginning disappeared as the ballad proceeded. She spoke the lines in so serious and exalted a manner, and with so much taste, that she even seemed to justify the exaggerated solemnity with which she had stepped forward. It was impossible to discern in her now anything but a deep feeling for the spirit of the poem which she had undertaken to interpret.
Aglaya blushed. Perhaps it struck her as very strange and impossible that she should really be sitting here and waiting for “that woman’s” reply to her question.
“In a word, you are a wretched little scandal-monger,” cried Gania, “and you cannot go away without a scandal!”
“I suppose you angered him somehow?” asked the prince, looking at the millionaire with considerable curiosity. But though there may have been something remarkable in the fact that this man was heir to millions of roubles there was something about him which surprised and interested the prince more than that. Rogojin, too, seemed to have taken up the conversation with unusual alacrity it appeared that he was still in a considerable state of excitement, if not absolutely feverish, and was in real need of someone to talk to for the mere sake of talking, as safety-valve to his agitation.

“Perhaps you are right,” said the prince, smiling. “I think I am a philosopher, perhaps, and who knows, perhaps I do wish to teach my views of things to those I meet with?”

“Because,” replied Aglaya gravely, “in the poem the knight is described as a man capable of living up to an ideal all his life. That sort of thing is not to be found every day among the men of our times. In the poem it is not stated exactly what the ideal was, but it was evidently some vision, some revelation of pure Beauty, and the knight wore round his neck, instead of a scarf, a rosary. A device--A. N. B.--the meaning of which is not explained, was inscribed on his shield--”

“It is hardly an exact statement of the case,” said the prince in reply. “You have confused your motives and ideas, as I need scarcely say too often happens to myself. I can assure you, Keller, I reproach myself bitterly for it sometimes. When you were talking just now I seemed to be listening to something about myself. At times I have imagined that all men were the same,” he continued earnestly, for he appeared to be much interested in the conversation, “and that consoled me in a certain degree, for a _double_ motive is a thing most difficult to fight against. I have tried, and I know. God knows whence they arise, these ideas that you speak of as base. I fear these double motives more than ever just now, but I am not your judge, and in my opinion it is going too far to give the name of baseness to it--what do you think? You were going to employ your tears as a ruse in order to borrow money, but you also say--in fact, you have sworn to the fact--that independently of this your confession was made with an honourable motive. As for the money, you want it for drink, do you not? After your confession, that is weakness, of course; but, after all, how can anyone give up a bad habit at a moment’s notice? It is impossible. What can we do? It is best, I think, to leave the matter to your own conscience. How does it seem to you?” As he concluded the prince looked curiously at Keller; evidently this problem of double motives had often been considered by him before.

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“Allow me to speak, please, mamma,” said Aglaya. “I think I ought to have something to say in the matter. An important moment of my destiny is about to be decided”--(this is how Aglaya expressed herself)--“and I wish to find out how the matter stands, for my own sake, though I am glad you are all here. Allow me to ask you, prince, since you cherish those intentions, how you consider that you will provide for my happiness?”