“Once before I had the honour of stating them to the company. I will repeat the explanation to-day for your excellency’s benefit. You see, excellency, all the world is witty and clever except myself. I am neither. As a kind of compensation I am allowed to tell the truth, for it is a well-known fact that only stupid people tell ‘the truth.’ Added to this, I am a spiteful man, just because I am not clever. If I am offended or injured I bear it quite patiently until the man injuring me meets with some misfortune. Then I remember, and take my revenge. I return the injury sevenfold, as Ivan Petrovitch Ptitsin says. (Of course he never does so himself.) Excellency, no doubt you recollect Kryloff’s fable, ‘The Lion and the Ass’? Well now, that’s you and I. That fable was written precisely for us.”
“No, I have really an object in going... That is, I am going on business it is difficult to explain, but...”
A pool of blood on the steps near his head gave rise to grave fears. Was it a case of accident, or had there been a crime? It was, however, soon recognized as a case of epilepsy, and identification and proper measures for restoration followed one another, owing to a fortunate circumstance. Colia Ivolgin had come back to his hotel about seven o’clock, owing to a sudden impulse which made him refuse to dine at the Epanchins’, and, finding a note from the prince awaiting him, had sped away to the latter’s address. Arrived there, he ordered a cup of tea and sat sipping it in the coffee-room. While there he heard excited whispers of someone just found at the bottom of the stairs in a fit; upon which he had hurried to the spot, with a presentiment of evil, and at once recognized the prince.
“The idea that it is not worth while living for a few weeks took possession of me a month ago, when I was told that I had four weeks to live, but only partially so at that time. The idea quite overmastered me three days since, that evening at Pavlofsk. The first time that I felt really impressed with this thought was on the terrace at the prince’s, at the very moment when I had taken it into my head to make a last trial of life. I wanted to see people and trees (I believe I said so myself), I got excited, I maintained Burdovsky’s rights, ‘my neighbour!’--I dreamt that one and all would open their arms, and embrace me, that there would be an indescribable exchange of forgiveness between us all! In a word, I behaved like a fool, and then, at that very same instant, I felt my ‘last conviction.’ I ask myself now how I could have waited six months for that conviction! I knew that I had a disease that spares no one, and I really had no illusions; but the more I realized my condition, the more I clung to life; I wanted to live at any price. I confess I might well have resented that blind, deaf fate, which, with no apparent reason, seemed to have decided to crush me like a fly; but why did I not stop at resentment? Why did I begin to live, knowing that it was not worthwhile to begin? Why did I attempt to do what I knew to be an impossibility? And yet I could not even read a book to the end; I had given up reading. What is the good of reading, what is the good of learning anything, for just six months? That thought has made me throw aside a book more than once.

“My name really is Lukian Timofeyovitch,” acknowledged Lebedeff, lowering his eyes, and putting his hand on his heart.

“What is this ‘star’?” asked another. “It would be very pleasant,” returned the prince. “But we must see. I am really rather worried just now. What! are we there already? Is that the house? What a long flight of steps! And there’s a porter! Well, Colia I don’t know what will come of it all.” “Mother, this is disgraceful!” cried Aglaya.
“Just as before, sir, just as before! To a certain person, and from a certain hand. The individual’s name who wrote the letter is to be represented by the letter A.--”
“Accept, accept, Prince Lef Nicolaievitch” said Lebedef solemnly; “don’t let it slip! Accept, quick!” “So that is true, is it?” cried the prince, greatly agitated. “I had heard a report of it, but would not believe it.” “Well, nor do I!” said Evgenie Pavlovitch, laughing suddenly. “I haven’t the slightest knowledge of any such IOU’s as she mentioned, I swear I haven’t--What’s the matter, are you fainting?”
The prince took it from her hand, but gazed at her in bewilderment.

Arrived on the opposite pavement, he looked back to see whether the prince were moving, waved his hand in the direction of the Gorohovaya, and strode on, looking across every moment to see whether Muishkin understood his instructions. The prince supposed that Rogojin desired to look out for someone whom he was afraid to miss; but if so, why had he not told _him_ whom to look out for? So the two proceeded for half a mile or so. Suddenly the prince began to tremble from some unknown cause. He could not bear it, and signalled to Rogojin across the road.

“Lef Nicolaievitch.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it. The prince did not think of trying to stop it. All he could remember afterwards was that he seemed to have called out:
All this occurred, of course, in one instant of time.
“This evening!” repeated her mother in a tone of despair, but softly, as though to herself. “Then it’s all settled, of course, and there’s no hope left to us. She has anticipated her answer by the present of her portrait. Did he show it you himself?” she added, in some surprise.
“Excellency! Have you read that account of the murder of the Zemarin family, in the newspaper?” cried Lebedeff, all of a sudden.
“I don’t know, father.”

“I should tell it to no one but yourself, prince, and I only name it now as a help to my soul’s evolution. When I die, that secret will die with me! But, excellency, if you knew, if you only had the least idea, how difficult it is to get money nowadays! Where to find it is the question. Ask for a loan, the answer is always the same: ‘Give us gold, jewels, or diamonds, and it will be quite easy.’ Exactly what one has not got! Can you picture that to yourself? I got angry at last, and said, ‘I suppose you would accept emeralds?’ ‘Certainly, we accept emeralds with pleasure. Yes!’ ‘Well, that’s all right,’ said I. ‘Go to the devil, you den of thieves!’ And with that I seized my hat, and walked out.”

“What have I done wrong now?” cried Colia. “What was the good of telling you that the prince was nearly well again? You would not have believed me; it was so much more interesting to picture him on his death-bed.”
The prince remained silent.

“You are still suspicious, I see, and do not believe me; but you may be quite at your ease. There shall be no more tears, nor questions--not from my side, at all events. All I wish is that you may be happy, you know that. I have submitted to my fate; but my heart will always be with you, whether we remain united, or whether we part. Of course I only answer for myself--you can hardly expect your sister--”

All we know is, that the marriage really was arranged, and that the prince had commissioned Lebedeff and Keller to look after all the necessary business connected with it; that he had requested them to spare no expense; that Nastasia herself was hurrying on the wedding; that Keller was to be the prince’s best man, at his own earnest request; and that Burdovsky was to give Nastasia away, to his great delight. The wedding was to take place before the middle of July.
“But why should they suppose that I despise generals?” Gania thought sarcastically to himself.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
A few moments passed as they stood there face to face, Gania still holding her wrist tightly. Varia struggled once--twice--to get free; then could restrain herself no longer, and spat in his face.

“Brought whom?” cried Muishkin.

So saying he smiled strangely; but suddenly and excitedly he began again:
Aglaya had not foreseen that particular calamity. She herself looked wonderfully beautiful this evening. All three sisters were dressed very tastefully, and their hair was done with special care.
“Look here,” cried Rogojin, seizing him fiercely by the arm, “look here, if you so much as name Nastasia Philipovna again, I’ll tan your hide as sure as you sit there!”
The general was just in time to see the prince take the first sledge he could get, and, giving the order to Ekaterinhof, start off in pursuit of the troikas. Then the general’s fine grey horse dragged that worthy home, with some new thoughts, and some new hopes and calculations developing in his brain, and with the pearls in his pocket, for he had not forgotten to bring them along with him, being a man of business. Amid his new thoughts and ideas there came, once or twice, the image of Nastasia Philipovna. The general sighed.
The prince had grown animated as he spoke, and a tinge of colour suffused his pale face, though his way of talking was as quiet as ever. The servant followed his words with sympathetic interest. Clearly he was not at all anxious to bring the conversation to an end. Who knows? Perhaps he too was a man of imagination and with some capacity for thought.
“I suppose you angered him somehow?” asked the prince, looking at the millionaire with considerable curiosity. But though there may have been something remarkable in the fact that this man was heir to millions of roubles there was something about him which surprised and interested the prince more than that. Rogojin, too, seemed to have taken up the conversation with unusual alacrity it appeared that he was still in a considerable state of excitement, if not absolutely feverish, and was in real need of someone to talk to for the mere sake of talking, as safety-valve to his agitation.
“Get up!” he said, in a frightened whisper, raising her. “Get up at once!”
There was a moment or two of gloomy silence. Aglaya rose from her seat.
Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty.
“‘Like Napoleon going to England, eh?’ cried he, laughing. ‘I’ll do it though--of course, and at once, if I can!’ he added, seeing that I rose seriously from my chair at this point.
“I don’t want any dinner, thanks, Colia. I had too good a lunch at General Epanchin’s.”
“You can see quite enough,” muttered Rogojin.

Colia came into the room and gave the prince a note; it was from the general and was carefully sealed up. It was clear from Colia’s face how painful it was to him to deliver the missive. The prince read it, rose, and took his hat.

“It is accursed, certainly accursed!” replied the clerk, vehemently.
“I shall laugh--I know I shall; I shall die of laughing,” she said, lugubriously.
“This letter cannot be allowed to remain in your hands.”
“Only that God gives that sort of dying to some, and not to others. Perhaps you think, though, that I could not die like Gleboff?”
Vera came in three minutes after the Epanchins had left. “Lef Nicolaievitch,” she said, “Aglaya Ivanovna has just given me a message for you.”

“Yes.”

“Oh, but I learned very little, you know!” added the prince, as though excusing himself. “They could not teach me very much on account of my illness.”
Nastasia Philipovna seized the packet of bank-notes.

The young officer, forgetting himself, sprang towards her. Nastasia’s followers were not by her at the moment (the elderly gentleman having disappeared altogether, and the younger man simply standing aside and roaring with laughter).

“You know we have hardly spoken to each other for a whole month. Ptitsin told me all about it; and the photo was lying under the table, and I picked it up.”

“I did not expect that of you, Aglaya,” she said. “He is an impossible husband for you,--I know it; and thank God that we agree upon that point; but I did not expect to hear such words from you. I thought I should hear a very different tone from you. I would have turned out everyone who was in the room last night and kept him,--that’s the sort of man he is, in my opinion!”

One day, however, he and Lizabetha Prokofievna quarrelled seriously about the “woman question,” in the course of a lively discussion on that burning subject. He told her that she was a tyrant, and that he would never set foot in her house again. It may seem incredible, but a day or two after, Madame Epanchin sent a servant with a note begging him to return, and Colia, without standing on his dignity, did so at once.